Is there a moral justification for making a film that recounts a terrorist assault in bloody detail?
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Based on a true story
Is there a moral justification for making a film that recounts a terrorist assault in bloody detail?
Claus Räfle’s drama blurs narrative and documentary lines to creatively tell a lesser-known aspect of the Holocaust.
Bruno Ganz plays Sigmund Freud in the opener for the 2019 Asheville Jewish Film Festival.
In the Old West, a 14-year-old on the run with his sister learns life lessons from both Billy the Kid and Pat Garrett.
The new documentary may best be appreciated as an appendix to last year’s First Man, a narrative film that tells you more about the people involved and covers the back story that’s missing here.
The charming English-language remake of The Intouchables merits more respect than it’s bound to receive.
Robert Zemeckis’ effects-heavy hybrid builds on Mark Hogancamp’s psychology as introduced in the acclaimed documentary Marwencol.
It takes a particular talent to make an acting impact in a Clint Eastwood film. Dirty Harry himself is not one of them.
If you’re going to make a costume drama in 2018, you might as well make it weird.
The false feel-good movie of the holiday season realizes its low ambitions with the puzzling assumption that something profound has been achieved.
Joel Edgerton cements his reputation as a talented filmmaker with help from a gifted ensemble.
The Asheville Movie Guys follow Steve Carell and Timothée Chalamet on a fact-based tale of addiction.
The Asheville Movie Guys join Robert Redford on his alleged final heist.
The year of films about real-life art heists rolls on with this seriocomic look at the 1985 looting of Mexico City’s National Anthropology Museum.
Lizzie is not the definitive solution to the real-life 1892 axe murder mystery, but it's a intriguing effort with some fresh ideas and fine performances.
Newcomer Richie Merritt holds his own opposite Matthew McConaughey in this decent fact-based crime drama.
The dramatization of Mossad’s operation to bring Adolph Eichmann to justice is a tame addition to the Nazi-hunting subgenre.
This pointless remake of the McQueen/Hoffman classic continually raises the reason for its existence.
The Asheville Movie Guys infiltrate a local movie theater and report back on Spike Lee’s new film.
Primarily filmed in Charlotte and at Davidson College, the fact-based crime saga smoothly blends interviews with the actual players and dramatic recreations.
