The star-studded dramatization of Roger Ailes’ downfall merely leaves a shallow mark.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
The star-studded dramatization of Roger Ailes’ downfall merely leaves a shallow mark.
The Asheville Movie Guys debate Greta Gerwig’s adaptation of the literary classic.
The Safdie brothers guide Adam Sandler to career-best work in this magnificent, tense thriller.
Clint Eastwood’s biopic of the Atlanta Olympic bombing hero-turned-villain is well-made and acted, but casts some troubling shadows.
Shia LaBeouf exorcises his demons by playing his father in this extraordinary cinematic experiment.
Todd Haynes’ heavy-handed environmental drama does wrong by its inspirational real-life hero.
Scarlett Johansson, Adam Driver and writer/director Noah Baumbach are all in top form in this divorce dramedy.
With his frenetic, emotionally devastating coming-of-age drama, Trey Edward Shults proves that the third time is indeed the charm.
Tom Hanks’ Fred Rogers erodes viewer cynicism in this very special fact-based film.
Go into Bong Joon-ho’s rightly-praised new film blind as possible and reap its plentiful rewards.
This movie about a con man is less about fooling the audience than it is about belief in a world where good and evil are clearly delineated.
In Pedro Almodovar’s most autobiographical film, a melancholy present day is tempered by vibrant boyhood memories.
Adam Driver is mesmerizing in Scott Z. Burns’ fact-based political procedural.
With the movie fresh in their minds, fans will want to linger in this museum-quality exhibition of sets, props, costumes, and historical tidbits.
This fact-based French drama is a landmark achievement in humanizing the impact of sexual abuse by Catholic priests and just as gripping as Spotlight.
Kristina Guckenberger (Mountain Xpress) makes her Asheville Movies debut to discuss Taika Waititi’s hilarious and moving anti-hate satire.
Under the formerly reliable Kasi Lemmons, Harriet Tubman’s story gets the Lifetime movie treatment.
Every aspect of Edward Norton’s ‘50s-set noir is good enough, but mysteriously never aspires to greatness.
As a crime action drama, it isn’t bad, but it seems to be a movie made without an audience.
It’s not the most insightful historical recreation, but it is a hell of a story, told with top production values and luminous cinematography.
