Jonathan Glazer’s Holocaust drama may have missed its calling as a short film.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Jonathan Glazer’s Holocaust drama may have missed its calling as a short film.
Ava DuVernay rebounds in spectacular fashion from “A Wrinkle in Time” with this fact-based social justice drama.
François Ozon’s playful comedy/thriller is simultaneously a throwback and decidedly modern.
Cord Jefferson’s satire has plenty of bite, but also an unexpectedly warm heart.
Michael Mann’s Enzo Ferrari biopic is the best film of 2023.
More like “Awkwardman and the Lost Opportunity.”
Ready for some incest, rape, domestic violence, and racial injustice in movie musical form?
George Clooney’s lifeless adaptation of Daniel James Brown’s fact-based bestseller is a pandering slog.
This Roald Dahl prequel delivers whimsy and imagination but little heart or purpose.
Yorgos Lanthimos channels Jean-Pierre Jeunet in this wild and wonderful societal critique.
Jim shows Edwin the, uh, ropes in this discussion of Sean Durkin’s Von Erich film.
Bradley Cooper’s Leonard Bernstein is a scatterbrained, occasionally brilliant effort.
Quick takes on new films from Hayao Miyazaki, Hirokazu Kore-eda, and Aki Kaurismäki, plus the latest Godzilla movie.
Let weird Joaquin cook!
Emerald Fennell’s ambitious follow-up to “Promising Young Woman” is a sinister comic marvel.
James and Edwin discuss Nicolas Cage’s new dark comedy.
This prequel is the best film in the series — but that’s still not saying much.
Alexander Payne reteams with Paul Giamatti for what could be the director’s best film yet.
