Reviews of “The Killer,” “Chorokbam,” “Resurrection,” and “Legions.”
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Reviews of “The Killer,” “Chorokbam,” “Resurrection,” and “Legions.”
Reviews of “Next Exit,” “Dark Glasses,” and “Punta Sinistra.”
Reviews of “My Grandfather’s Demons,” “Acción Mutante,” and “Blue Sunshine.”
Reviews of “Mole Song Final,” “Orchestrator of Storms,” “Glorious,” and “Sharp Stick.”
The Asheville Movies team reveals its most anticipated titles from this year’s edition of the celebrated genre film festival.
Reviews of “Accepted,” “Eat Your Catfish,” “Video Visit,” “Chernobyl: The Lost Tapes,” “Soldat Ahmet,” “The Exiles,” “Chilly & Milly,” “Kameelah Janan Rasheed: The Edge of Legibility,” “We Met in Virtual Reality,” “Expiration,” and “I Didn’t See You There.”
Reviews of “BABYBANGZ,” “Aftershock,” “Gabor,” “Night Ride,” “Freedom Hill,” “Let the Little Light Shine,” “Abyssal,” “Unseen Skies,” “After Sherman,” “Meantime,” and “Mija.”
Reviews of “The Panola Project,” “Stay Prayed Up,” “The Martha Mitchell Effect,” “No Soy Óscar,” and “To Know Her.”
Reviews of “Mama Bears,” “Skate Dreams,” “ᎤᏕᏲᏅ (What They’ve Been Taught),” “Paper City,” and “The Silent Shore.”
James and Edwin discuss this year’s batch of Academy Award finalists.
The Slate film critic and podcaster discusses her new book on the beloved silent movie star.
Reviews of “Cow,” “In Front of Your Face,” “Julia,” and “Citizen Ashe.”
Reviews of “Hit the Road,” “Mayor Pete,” and “The Last Execution.”
Reviews of “Brother’s Keeper,” “Silent Land,” and “Bergman Island.”
Reviews of “The Velvet Underground,” “The Odd-Job Men,” and “Broadcast Signal Intrusion.”
The filmmaker opens up about about his five-year Martin Shkreli project, combatting lazy journalism, and Blumhouse’s rising pedigree as a source for documentaries about real-life horrors.
James Rosario, Joel Winstead, and Edwin Arnaudin share their most anticipated titles from this year’s program.
Reviews of “Zalava,” “Name Above Title,” and “Cop Secret.”
Reviews of “The Found Footage Phenomenon,” “Possession,” and “V/H/S/94.”
Reviews of “Titane,” “This is GWAR,” and “Barbarians.”
