This tonal disaster plays overly safe with the oddity of Mel Gibson as Santa and Walton Goggins as a hitman out to kill him.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
This tonal disaster plays overly safe with the oddity of Mel Gibson as Santa and Walton Goggins as a hitman out to kill him.
Seth Savoy’s fact-based heist film isn’t as witty or innovative as its makers assume.
Josh McCormack and Edwin Arnaudin discuss Francis Ford Coppola’s new cut of “The Godfather: Part III.”
A bold new take on the classic underdog story, featuring a career-best performance from Charlie Hunnam.
The legendary filmmaker masterfully holds court in this entertaining but unstructured documentary.
Brian Duffield’s genre-blending thrill ride comes the closest any film can to having something for everyone.
Sisters endure a wild night at a hospital in this overstuffed yet entertaining genre hybrid.
A game cast and impressive effects work elevate this otherwise problematic western/horror flick.
Capable actors’ talents are wasted in the service of this derivative gangster film.
Jeffrey McHale’s entertaining, educational look at the legacy “Showgirls” lets viewers decide whether Paul Verhoeven’s notorious flop is great, terrible, or something else entirely.
An exciting climax can’t save a slow start, one-note characters, and style-free direction in this middling horror flick.
“A Nightmare on Elm Street Part 2” star Mark Patton explores how the film became a staple of LGBTQIA+ cinema.
Far more questions than answers ultimately ruin a promising creature feature premise.
Clark Duke’s star-studded directorial debut is hampered by a faulty script.
David Marmor’s debut feature finds a deeply unsettling twist in a familiar story.
