The curiosity of Clint Eastwood using real-life heroes to reenact their brave exploits makes for a generally compelling view, but is let down by a script that asks too much from its amateur performers.
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The curiosity of Clint Eastwood using real-life heroes to reenact their brave exploits makes for a generally compelling view, but is let down by a script that asks too much from its amateur performers.
Packed with great performances, Aaron Sorkin's directorial debut appropriately matches the energy of his writing.
Steven Spielberg's star-studded take on the Washington Post's handling of the Pentagon Papers is one of the year's best, most entertaining and most important films.
Seemingly improved by its last-minute recasting, the dramatization of the John Paul Getty III kidnapping is little more than a classic shaggy Ridley Scott film.
Oh hi, Movie Guys! What do you think of James Franco's take on the making of The Room?
The Asheville Movie Guys gear up and trek into the forest to battle wild blazes alongside Josh Brolin, Miles Teller and Taylor Kitsch.
Humor and exciting tennis rescue this mediocre take on the 1973 Billie Jean King/Bobby Riggs tennis match from biopic failure.
The Asheville Movie Guys are split on Tom Cruise's film about a real-life drug smuggler in the early '80s.
Though pleasant and good-looking, the latest from Bend It Like Beckham director Gurinder Chadha is less a narrative film than an elaborate history lesson.
The Asheville Movie Guys are split (cracked?) on the star-studded adaptation of Jeanette Walls' best-selling memoir.
Kathryn Bigelow's intense, difficult dramatization of the 1967 Motor City riots is a thoroughly rewarding view.
Christopher Nolan's sharp first foray into WWII is compact in runtime but broad in scope.
The Asheville Movie Guys fall for this fact-based, culture-clash dramedy, but more for the parents than the love interests.
Suspect casting and bad accent work undermine this look at the British PM's mindset leading up to D-Day.
James Gray's gorgeous dramatization of Amazonian obsession might be the year's best film to date.
The fact-based tale of the Warsaw Zoo owners sheltering Jews during WWII loses its distinctive edge once its wildlife population plummets.