Like his other films, Sean Baker’s Palme d’Or winner lacks focus behind and in front of the camera.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Like his other films, Sean Baker’s Palme d’Or winner lacks focus behind and in front of the camera.
Florence Pugh and Andrew Garfield dazzle in this realistic romance.
Well, that was a near complete waste of time.
Powerful acting overcomes weak filmmaking in this fact-based drama.
Dominic Savage's trans drama is filmed with minimal visual foresight and written with even less.
Not even a pairing with a glass of quality bubbly can save this biopic from mediocrity.
Yorgos Lanthimos returns to his twisted satiric ways with this darkly comedic triptych.
Playwright Annie Baker’s first film is well-made, pleasant…and kind of pointless.
Writer/director Jeff Nichols maintains his flawless track record with this emotionally rich, fact-based tale of 1960s biker life.
The “Saint Frances” team returns with another hilarious yet emotionally rich film.
Daina Oniunas-Pusic’s imaginative feature directorial debut is also a bit one-note.
Ally Pankiw’s film is a messy jumble of genres and failed attempts at humor.
The team of Lena Dunham and Stephen Fry proves ill-suited for this Holocaust drama.
Ryusuke Hamaguchi’s follow-up to “Drive My Car” is another soulful stunner.
Writer/director Jane Schoenbrun seems more interested in creating a relatable, nostalgia-rich world than filling it with much in the way of substance.
Sam Taylor-Johnson’s Amy Winehouse biopic honors the late singer/songwriter’s talents and flaws.
Ethan Hawke’s disjointed Flannery O’Connor biopic is a frustrating view.
