Creative visuals and an ominous sense of gloom buoy this period horror tale.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Literary adaptation
Creative visuals and an ominous sense of gloom buoy this period horror tale.
Much like her talented father 25 years ago, writer/director Ishana Night Shyamalan is a talent to watch.
The team of Lena Dunham and Stephen Fry proves ill-suited for this Holocaust drama.
Ethan Hawke’s disjointed Flannery O’Connor biopic is a frustrating view.
A huge step back from the excellent Part One, this sloppy follow-up barely feels like a Denis Villeneuve film.
Anh Hung Tran’s culinary romance is a feast for the senses.
Andrew Haigh’s emotionally rich meditation on grief and imagination is a wonder to behold.
Jonathan Glazer’s Holocaust drama may have missed its calling as a short film.
Ava DuVernay rebounds in spectacular fashion from “A Wrinkle in Time” with this fact-based social justice drama.
Cord Jefferson’s satire has plenty of bite, but also an unexpectedly warm heart.
George Clooney’s lifeless adaptation of Daniel James Brown’s fact-based bestseller is a pandering slog.
Yorgos Lanthimos channels Jean-Pierre Jeunet in this wild and wonderful societal critique.
This prequel is the best film in the series — but that’s still not saying much.
David Fincher re-teams with Se7en screenwriter Andrew Kevin Walker to similarly memorable ends.
Wes Anderson returns to the rich Roald Dahl well with charming adaptations of four short stories.
Commendable atmosphere and creature design can’t save a horrendous screenplay.
Judy Blume’s seminal 1970 novel receives a thoughtful adaptation from writer/director Kelly Freeman Craig.
M. Night Shyamalan’s weaknesses as a writer/director hamper this would-be apocalyptic thriller.
Luca Guadagnino’s cannibal road-trip movie might be the year’s most disjointed release.
Andrew Dominik’s thoughtful examination of the myth of Marilyn Monroe is one of the year’s best films.
