Creative visuals and an ominous sense of gloom buoy this period horror tale.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Foreign film
Creative visuals and an ominous sense of gloom buoy this period horror tale.
Ryusuke Hamaguchi’s follow-up to “Drive My Car” is another soulful stunner.
Quick takes on this week’s new arthouse releases.
Wim Wenders’ soulful dramedy celebrates life’s simple pleasures.
Anh Hung Tran’s culinary romance is a feast for the senses.
This Oscar nominee starts strong before crumbling under the weight of implausibly bad character decisions.
Jonathan Glazer’s Holocaust drama may have missed its calling as a short film.
François Ozon’s playful comedy/thriller is simultaneously a throwback and decidedly modern.
Quick takes on new films from Hayao Miyazaki, Hirokazu Kore-eda, and Aki Kaurismäki, plus the latest Godzilla movie.
Pedestrian filmmaking hampers this sharply written and acted Palme d’Or winner.
Sébastien Marnier’s slow-burn thriller rewards viewers’ patience.
The Australian export’s creative twists on the spiritual world are undermined by sluggish storytelling.
Dominik Moll’s police procedural is the French equivalent of “Memories of Murder.”
Honest explorations of male friendships that don't involve toxic levels of masculinity or virility are a welcome change from the hardened stoicism we’re so often fed by our franchised heroes and loner tough guys.
Kristoffer Borgli’s pitch-black comedy dishes up a scathing critique of attention hounds and fame-seekers in the age of social media.
Jalmari Helander’s hyper-violent revenge film elicits immense joy via killing Nazis.
Quentin Dupieux latest oddball effort lives and dies by its randomness.
Park Chan-wook’s meticulously crafted crime thriller is a wonder to behold.
Javier Bardem adds to his already impressive resumé with this witty workplace dramedy.
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
