Hugh Grant has a ball in this tense thriller that gradually loses steam.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Horror
Hugh Grant has a ball in this tense thriller that gradually loses steam.
Michael Keaton and Tim Burton resurrect the titular demon to gloriously entertaining ends.
Creative visuals and an ominous sense of gloom buoy this period horror tale.
Tilman Singer’s wildly imaginative modern folk horror tale is one to treasure.
This series prequel features similar traits that plagued and uplifted its two predecessors.
Joshua John Miller’s uneven film is essentially the “Scream” of exorcism movies.
Much like her talented father 25 years ago, writer/director Ishana Night Shyamalan is a talent to watch.
Writer/director Jane Schoenbrun seems more interested in creating a relatable, nostalgia-rich world than filling it with much in the way of substance.
Quick takes on four recent mainstream titles.
This satanic panic thriller takes forever to find its groove and frequently cheats on its found-footage premise.
Commendable atmosphere and creature design can’t save a horrendous screenplay.
The Australian export’s creative twists on the spiritual world are undermined by sluggish storytelling.
Patrick Wilson’s directorial debut is a bizarre vanity project that taints the horror series’ formerly good name.
The jokes keep coming in this horror/comedy that’s not nearly the genre-skewering event that was “promised.”
Lee Cronin’s blood-coated, thoroughly entertaining sequel honors Sam Raimi and Bruce Campbell.
