Like his other films, Sean Baker’s Palme d’Or winner lacks focus behind and in front of the camera.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Romance
Like his other films, Sean Baker’s Palme d’Or winner lacks focus behind and in front of the camera.
Florence Pugh and Andrew Garfield dazzle in this realistic romance.
Not even a pairing with a glass of quality bubbly can save this biopic from mediocrity.
Scarlett Johansson and Channing Tatum have chemistry for days in this Apollo 11 rom-com.
Writer/director/star Vera Drew’s trans coming-of-age story is an inspired mess.
Rose Glass takes a tremendous leap forward with help from a talented cast.
Anh Hung Tran’s culinary romance is a feast for the senses.
Andrew Haigh’s emotionally rich meditation on grief and imagination is a wonder to behold.
Bradley Cooper’s Leonard Bernstein is a scatterbrained, occasionally brilliant effort.
Yet another Sofia Coppola film that keeps emotions at a distance and only resonates on aesthetic levels.
Franz Rogowski, Adèle Exarchopoulos, and Ben Whishaw collide to memorable ends in Ira Sachs’ bisexual romance.
Wes Anderson sticks the landing on his most ambitious narrative yet.
Rather than parody Bob Ross, writer/director Brit McAdams has something more ambitious in mind, and his distinct, heartfelt take on the romantic comedy is a treat to experience.
Rampant silliness and the chemistry of Julia Roberts and George Clooney more than compensate for predictable storytelling.
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
Though visually and sonically rich, this British period romance is agonizingly slow and demure in its exhibition of emotions.
