Well, that was a near complete waste of time.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Crime
Well, that was a near complete waste of time.
Ti West’s laborious trilogy sputters out with this would-be thriller.
Quick takes on this week’s new arthouse releases.
Rose Glass takes a tremendous leap forward with help from a talented cast.
Ethan Coen doubles down on his quirks in this hilarious yet surprisingly sweet lesbian road-trip comedy.
François Ozon’s playful comedy/thriller is simultaneously a throwback and decidedly modern.
Martin Scorsese’s enthralling fact-based drama adds another masterpiece to his already legendary resumé.
Dominik Moll’s police procedural is the French equivalent of “Memories of Murder.”
Despite Toni Collette’s physical comedy skills, this action/comedy is a tonal mess.
Park Chan-wook’s meticulously crafted crime thriller is a wonder to behold.
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
Ridley Scott’s second film of 2021 is a mix of compelling performances, lush visuals, and spotty writing.
Craig Gillespie’s slick Disney villain origin story has much in common with his Tonya Harding biopic.
Guy Ritchie and Jason Statham reunite for this grim yet thoroughly entertaining thriller.
The Russo brothers reunite with Tom Holland in this Frankenstein’s monster of well-worn genres with little new to say about any of them.
The film is based on a terrific Rolling Stone article. Seek out that story, but skip the clumsily fictionalized movie.
Denzel Washington and Rami Malek investigate Jared Leto in this entertaining thriller that nevertheless falls apart in its final stretch.
This Jamie Fox action flick is like watching someone else play a videogame — you might follow the action, but you’re not involved.
A faithful David Ayer supporter and one of the writer/director’s biggest non-believers debate the filmmaker’s latest LA crime saga.