Quick takes on this week’s new arthouse releases.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Mystery
Quick takes on this week’s new arthouse releases.
David O. Russell makes a sloppy return to the screen, though an impressive ensemble nearly rescues him.
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
Guillermo del Toro star-studded noir starts slow but finishes strong.
Edgar Wright’s era-hopping horror/mystery is a spellbinding ride — until the plot kicks in.
This satisfying then-and-now dual murder mystery takes actor Eric Bana back to his native Australia.
With help from Tim Roth and Clive Owen, François Girard (The Red Violin) builds on his reputation as a maestro of musical mysteries.
Rian Johnson’s mediocre whodunit was doubtlessly more fun to make than it is to sit through.
Inheriting the teen sleuth reins from Emma Roberts, Sophia Lillis (It; “Sharp Objects”) continues to be a beacon in mediocre projects.
Runner-up as best film of the year at this week’s Los Angeles Film Critics Association awards, Burning is long, leisurely and worth the investment of time.
Lizzie is not the definitive solution to the real-life 1892 axe murder mystery, but it's a intriguing effort with some fresh ideas and fine performances.
Jessie Buckley and Johnny Flynn excel under the assured direction of Michael Pearce in this dark, twisty British romantic thriller.
Bolstered by a strong lead performance by Lola Kirke, Aaron Katz’s film may be the best L.A.-set neo-noir since Drive.
Under the direction of Kenneth Branagh, the best that the latest star-studded adaptation of Agatha Christie’s Murder on the Orient Express can hope for is a manslaughter charge.
Todd Haynes' latest experiment in gorgeous period filmmaking challenges viewers with its portrayal of deafness over dual storylines.
An indie darling cast led by Mr. Robot's Rami Malek are largely squandered in this would-be mind$&%*.