Natasha Romanoff’s long-awaited origin story — with a side of revenge — turns out to be one of the best of the standalone Marvel movies.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comic book adaptation
Natasha Romanoff’s long-awaited origin story — with a side of revenge — turns out to be one of the best of the standalone Marvel movies.
The ultimate vanity project, this four-hour endurance test is the work of a director so lost in his personal interests that the level of egotism would be impressive if the film itself wasn’t so poorly made.
Simon Bird’s terrific graphic novel adaptation feels like a British translation of a Daniel Clowes comic.
Patty Jenkins, Gal Gadot & Co. let loose and improve on the series’ safe, basic predecessor.
Gina Prince-Bythewood makes a clunky transition to action filmmaking and wastes the talents of a gifted ensemble.
The dopey action flick might have stood a chance with a talented star and director.
The toxic male gaze of “Suicide Squad” is thankfully gone, but not the sloppy writing and directing.
Is Joaquin Phoenix’s take on the DC villain terrific or terrible? The Asheville Movie Guys are not joking around in this heated debate.
