The Asheville Movie Guys discuss the conclusion of the “Star Wars” episodic saga.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Action
The Asheville Movie Guys discuss the conclusion of the “Star Wars” episodic saga.
The entertaining sequel doubles down on its predecessor’s funniest elements.
Star Chadwick Boseman and the film’s visual style make up for some of the screenplay’s implausibilities.
Elizabeth Banks’ clunky reboot struggles to justify its existence.
James Mangold’s fact-based auto-racing film is old school Hollywood entertainment at its finest.
Badass women, deadpan humor, and (eventually) exhilarating action make for an entertaining new Terminator film.
Dated special effects, an overly reverent script, and one of the dullest, whitest casts ever assembled pay poor homage to WWII heroes.
As a crime action drama, it isn’t bad, but it seems to be a movie made without an audience.
The post-apocalyptic gang’s all here for this thoroughly entertaining sequel.
Takashi Miike adds comedy to his stylistic violence with great success.
Leaving “Sleeping Beauty” behind in favor of “Game of Thrones” territory, this action-packed sequel is a captivating allegory about misbegotten war.
What is the brilliant director Ang Lee doing directing this potboiler with a weary Will Smith trying to make an action comeback?
Sylvester Stallone makes arguably his strongest case yet that he should have retired after Cliffhanger.
With ambitions well beyond its science fiction adventure plot line, the movie melds intense character conflicts with the oft-asked question: Are humans alone in the universe?
The latest installment in the Mike Banning Trilogy is also its best — which still isn’t saying much and also didn’t take a lot to accomplish.
This crime flick seems to think it’s a dark comedy but it just comes across as confused and inconsistent.
David Leitch gifts the series its crispest visuals and most ambitious stunts thus far, but the spin-off remains a big, dumb Fast & Furious movie.
Stuber’s lead actors are talented and appealing, but they’re trapped in a poorly thought out, sloppily executed movie that does them no favors.
You have to respect horror B-movie producer-director Alexandre Aja’s steadfast devotion to his absurd killer alligator story.
Just two films in, is the new Spider-Man series one of the best solo superhero sagas Marvel has yet to produce?
