The Asheville Movie Guys discuss Pixar’s Italian-set sea-monsters-on-bicycles adventure. Is it worthy of the studio?
Your guide to Asheville's vibrant and diverse movie offerings.
All in Adventure
Zack Snyder’s first non-superhero film in a decade sheds the self-importance of his DCEU efforts, but is rife with other issues.
Josh McCormack and Edwin Arnaudin discuss the latest clash of the titans.
The ultimate vanity project, this four-hour endurance test is the work of a director so lost in his personal interests that the level of egotism would be impressive if the film itself wasn’t so poorly made.
Tom Holland and Daisy Ridley struggle under Doug Liman’s direction in this sci-fi dud.
This generally empty military thriller is occasionally enlivened by Anthony Mackie’s android officer and other sci-fi sights.
Patty Jenkins, Gal Gadot & Co. let loose and improve on the series’ safe, basic predecessor.
George Clooney gets back on track as a filmmaker with help from an appealing ensemble and slick special effects.
Paul Greengrass’ reunion with Tom Hanks is a dull, forgettable affair.
A movie about a worldwide calamity seems ill-timed, but Gerard Butler’s crashing-comet disaster movie “Greenland” is here nonetheless.
Christopher Nolan's latest mind-bending adventure is wildly entertaining and immensely frustrating.
The animated series experiences a major evolutionary leap forward in this fast and funny sequel.
Anne Hathaway embarrasses herself early and often in Robert Zemeckis’ uninspired Roald Dahl adaptation.
A lousy script and a flaccid lead performance hamper this post-apocalyptic adventure/comedy.
The plucky, fourth-wall-breaking adventure/comedy is an ideal star vehicle for Millie Bobby Brown.
Gina Prince-Bythewood makes a clunky transition to action filmmaking and wastes the talents of a gifted ensemble.
The new animated Scooby-Doo adventures is a goofy and charming distraction.
The second film to tell this amazing and true East German escape story is consistently entertaining and adheres largely to the facts.