Your guide to Asheville's vibrant and diverse movie offerings.
All in Based on a true story
The film traces the months leading up to the 1995 assassination of Israeli prime minister Yitzhak Rabin, but the topic of “incitement” by political rhetoric remains vital today.
From “A Sister” to “Brotherhood” and a glimpse through “The Neighbors’ Window,” this shorts program at the Grail Moviehouse has a lot to recommend it.
The Asheville Movie Guys slog their way through Terrence Malick’s fact-based endurance test.
The star-studded dramatization of Roger Ailes’ downfall merely leaves a shallow mark.
The fact-based legal drama is unfortunately timely, but potentially unifying.
Todd Haynes’ heavy-handed environmental drama does wrong by its inspirational real-life hero.
The reunion of Felicity Jones and Eddie Redmayne amidst decent atmospheric spectacle elevates this fact-based adventure.
Tom Hanks’ Fred Rogers erodes viewer cynicism in this very special fact-based film.
James Mangold’s fact-based auto-racing film is old school Hollywood entertainment at its finest.
Adam Driver is mesmerizing in Scott Z. Burns’ fact-based political procedural.
Dated special effects, an overly reverent script, and one of the dullest, whitest casts ever assembled pay poor homage to WWII heroes.
This fact-based French drama is a landmark achievement in humanizing the impact of sexual abuse by Catholic priests and just as gripping as Spotlight.
It’s not the most insightful historical recreation, but it is a hell of a story, told with top production values and luminous cinematography.
Noah Hawley’s feature directorial debut is a forgettable one.
Comparisons to the fact-based crime sagas by Martin Scorsese are...let's be nice and say “unfounded.”
The Springsteen-centric coming-of-age film isn’t quite on par with its summer 2019 classic rock cousins.
It’s an engaging and well made movie, despite living in “Movie of the Week” territory, in this case taking on “our broken justice system.”
The Asheville Movie Guys head to China for a discussion of Lulu Wang’s sophomore feature.
Quentin Tarantino’s latest stunner makes expert use of modern cinema’s biggest stars in a landscape fitting of their talents and charisma.
Compelling performances by Judi Dench and Sophie Cookson are undermined by sluggish pacing and flat direction in this fact-based spy drama.
