Kristina Guckenberger (Mountain Xpress) makes her Asheville Movies debut to discuss Taika Waititi’s hilarious and moving anti-hate satire.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comedy
Kristina Guckenberger (Mountain Xpress) makes her Asheville Movies debut to discuss Taika Waititi’s hilarious and moving anti-hate satire.
The post-apocalyptic gang’s all here for this thoroughly entertaining sequel.
Eddie Murphy, Wesley Snipes, and director Craig Brewer all return to form in this hilarious, entertaining, foul-mouthed biopic.
Takashi Miike adds comedy to his stylistic violence with great success.
The comedy team of Hannah Pearl Utt and Jen Tullock deliver steady delights in this NYC-set tale of familial dysfunction.
Comparisons to the fact-based crime sagas by Martin Scorsese are...let's be nice and say “unfounded.”
Jillian Bell’s outstanding performance is undermined by simplistic presentations of running and weight loss.
Sometimes too silly for its own good, the raunchy tween-centric nonetheless delivers big laughs.
Set in the Outer Banks, this odd couple buddy comedy is undermined by a rushed final act.
The Springsteen-centric coming-of-age film isn’t quite on par with its summer 2019 classic rock cousins.
Cate Blanchett may be one of the few actors who could hold together a movie that’s part farce, part intervention, part melodrama and always entertaining.
This crime flick seems to think it’s a dark comedy but it just comes across as confused and inconsistent.
The adaptation of the beloved dog novel sidesteps potential sappiness with honest, emotional storytelling, plus characters easy to care about and difficult to leave.
The Asheville Movie Guys head to China for a discussion of Lulu Wang’s sophomore feature.
This shuffling, low-key Southern comedy is a joy and palate cleanser, full of wit and wonderful performances.
Quentin Tarantino’s latest stunner makes expert use of modern cinema’s biggest stars in a landscape fitting of their talents and charisma.
Starring a textbook sharp Jesse Eisenberg, the well-made dark comedy is a difficult film to recommend.
Stuber’s lead actors are talented and appealing, but they’re trapped in a poorly thought out, sloppily executed movie that does them no favors.
In Danny Boyle’s delightful Boomer fantasy, a struggling musician awakens to a world in which The Beatles don’t exist — and does his best to fill that absence.
F. Gary Gray’s clustercuss of a sequel is one of the year’s worst films.