All the new releases I saw in 2022, ranked from worst to best. Part One covers films 151-171.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All the new releases I saw in 2022, ranked from worst to best. Part One covers films 151-171.
This is the globetrotting Guy Ritchie spy series that should have moviegoers clamoring for a sequel. Not…that other…thing…
Series star Michael B. Jordan pulls double duty behind the camera and produces the trilogy’s best installment.
Frances O’Connor makes an impressive directorial debut with this Brontë sister biopic.
The latest batch of finalist cover a range of compelling subjects, but all feel incomplete.
Lizzie Gottlieb’s documentary on “the two Bobs” is thoroughly delightful.
Isa Whitaker joins Edwin to discuss the latest MCU feature.
This year’s finalists run from heartfelt comedy to would-be heartbreaking drama.
This year’s nominees feature everything from a talking fox to a naked sailor hurled skyward by an explosion.
M. Night Shyamalan’s weaknesses as a writer/director hamper this would-be apocalyptic thriller.
Brandon Cronenberg’s latest mindf*#& is visually creative but narratively messy.
Luca Guadagnino’s cannibal road-trip movie might be the year’s most disjointed release.
Like its predecessor, James Cameron’s return to Pandora isn’t a movie — it’s a technology showcase.
“Die Hard” meets “Bad Santa” and “Home Alone” in this wild addition to the holiday canon.
Steven Spielberg dramatizes his youth to highly entertaining ends.
A minimal plot and esoteric subject matter keep this debut drama from making much of an impression.
Mark Mylod’s star-studded foodie satire is far funnier than you’ve been led to believe.
