Robert Eggers’ follow-up to The Lighthouse is one of the year’s most unpleasant viewing experiences.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Robert Eggers’ follow-up to The Lighthouse is one of the year’s most unpleasant viewing experiences.
Noah Hawley’s feature directorial debut is a forgettable one.
The comedy team of Hannah Pearl Utt and Jen Tullock deliver steady delights in this NYC-set tale of familial dysfunction.
Is Joaquin Phoenix’s take on the DC villain terrific or terrible? The Asheville Movie Guys are not joking around in this heated debate.
The film offers pretty much everything a fan could want from a feature-length continuation of the beloved "Masterpiece" series.
Director John Crowley has created a passable Reader’s Digest gloss on Donna Tartt’s great novel.
Comparisons to the fact-based crime sagas by Martin Scorsese are...let's be nice and say “unfounded.”
Is Chapter Two better than It or worse? The Asheville Movie Guys come down on opposite sides of the question.
Julius Onah’s cinematic retelling of J.C. Lee’s play Luce is a stage-to-screen adaptation nearly on the level of Doubt and Rabbit Hole.
Jillian Bell’s outstanding performance is undermined by simplistic presentations of running and weight loss.
The movie's grand revelations are worthy of a whole season of any prime-time soap.
Jennifer Kent follows up The Babadook with this nasty little rape revenge tale.
Set in the Outer Banks, this odd couple buddy comedy is undermined by a rushed final act.
The Springsteen-centric coming-of-age film isn’t quite on par with its summer 2019 classic rock cousins.
This crime flick seems to think it’s a dark comedy but it just comes across as confused and inconsistent.
It’s an engaging and well made movie, despite living in “Movie of the Week” territory, in this case taking on “our broken justice system.”
The adaptation of the beloved dog novel sidesteps potential sappiness with honest, emotional storytelling, plus characters easy to care about and difficult to leave.
Despite strong performances and occasional elite suspense, this Appalachian-set tale of religious fanatics is sadly underdeveloped.
The Asheville Movie Guys head to China for a discussion of Lulu Wang’s sophomore feature.
Quentin Tarantino’s latest stunner makes expert use of modern cinema’s biggest stars in a landscape fitting of their talents and charisma.
