Hirokazu Kore-eda’s English debut isn’t on the level of his recent Japanese work, but isn’t far off.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Hirokazu Kore-eda’s English debut isn’t on the level of his recent Japanese work, but isn’t far off.
A gripping and unpredictable German drama, set in the world of classical music.
A steady pace, smart writing, and strong performances power this compelling drama.
Channing Godfrey Peoples’ feature directorial debut packs the potential for tremendous national unity on opening weekend.
This three-part film traces the progress of LGBTQ rights across more than 30 years through the turmoil in the lives of one French family.
Bill Nighy is his usual brilliant self in this amusing and moving modern parable about family dynamics and how to win at Scrabble.
Spike Lee joins the sadly short list of great filmmakers who’ve made great films about the Vietnam War.
Even with a talented cast and appealing premise, this literary biopic boils down to two hours of Elisabeth Moss brooding and saying random shit.
This French-Algerian film is an admirable portrait of resilient youth, diluted by its rather soapy plot choices.
There’s nothing original about Military Wives, but its predictability is part of its charm.
An Israeli/Palestinian youth orchestra prepares for a concert in this well-meaning but frequently hokey drama.
The adult relationship of two childhood friends is tested in this poignant drama.
A short-film premise is stretched beyond what it can support in this occasionally entertaining and inspiring French drama.
Tom Hardy embarrasses himself on a regular basis in Josh Trank’s ridiculous look at Al Capone’s final days.
Brian Cox and an all-star cast bring life to this otherwise tepid father-son-grandbaby reunion movie set in San Francisco.
Strong performances from Javier Barden, Elle Fanning, and Laura Linney keep Sally Potter’s flawed experimental drama grounded.
The Georgian drama nicely combines first gay love with meditations on the risks of dedicating one's life to art.
Two equally uninteresting story lines, one in a girls’ school, one in Haiti 60 years ago, eventually collide in an incoherent finale.
The indie abortion drama flirts with greatness once the significance of its title is revealed.
