Say “hello” to the worst film of 2019.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Horror
This sequel to “The Shining” utilizes fine craftsmanship to blend of elements from Stephen King and Stanley Kubrick into a satisfying tale of supernatural suspense.
Robert Eggers’ follow-up to The Lighthouse is one of the year’s most unpleasant viewing experiences.
Is Chapter Two better than It or worse? The Asheville Movie Guys come down on opposite sides of the question.
The adaptation of the beloved horror books delivers surprisingly strong terror within a PG-13 framework.
You have to respect horror B-movie producer-director Alexandre Aja’s steadfast devotion to his absurd killer alligator story.
Ari Aster’s masterful follow-up to Hereditary wisely favors dread over cheap horror scares.
The third film in the lousy creepy doll series is overrun with human ineptitude and all but absent of scares.
The near complete overhaul of the killer doll series works better as a concept than an actual film.
Jim Jarmusch’s delightfully deadpan zombie movie makes excellent use of a talented ensemble cast.
The prospect of watching Lindsay Weir get chased by a ghost for 90 minutes isn’t nearly as exciting as it sounds.
Prepare yourself for a freaky, atmospheric story with plenty of quality jump scares.
The international horror anthology is a decidedly mixed bag with only a few worthwhile entries.
The Asheville Movie Guys have a spoilerific discussion of Jordan Peele’s new horror head trip.
The tension quickly dials up and remains high to the end in this latest family-focused horror film from Jordan Peele (Get Out).
Gaspar Noé’s latest risk-taker is a wonder to behold, though a bit patience-testing and possibly pointless.
Jonas Åkerlund’s Mayhem biopic is equal parts tongue-in-cheek and knives-through-cheeks.
The latest bad seed horror film starts out promising, then devolves into an exercise in frustration.
Will the confrontation between a now-weaponized Laurie Strode and the still unkillable Michael Myers provide a Home Alone of horror?
Eli Roth pivots from gory to Gorey (of the Edward variety) and fares nearly as poorly.
