Under the direction of Kenneth Branagh, the best that the latest star-studded adaptation of Agatha Christie’s Murder on the Orient Express can hope for is a manslaughter charge.
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Under the direction of Kenneth Branagh, the best that the latest star-studded adaptation of Agatha Christie’s Murder on the Orient Express can hope for is a manslaughter charge.
Todd Haynes' latest experiment in gorgeous period filmmaking challenges viewers with its portrayal of deafness over dual storylines.
The Asheville Movie Guys report back from their Norwegian holiday with Michael Fassbender, Rebecca Ferguson and J.K. Simmons.
Stephen King's beloved novel translates poorly to the screen – and Matthew McConaughey is largely to blame.
William Oldroyd’s period drama looks great and features a breakthrough performance by Florence Pugh, but has difficulty justifying its existence.
The Asheville Movie Guys debate the merits of Luc Besson's return to zippy sci-fi.
Jeff Baena’s star-studded riff on The Decameron is only a few big laughs removed from being a significant waste of time.
The Asheville Movie Guys find little to like about Sofia Coppola's Civil War chamber drama beyond its visuals and all-star cast.
Rachel Weisz and Sam Claflin shine in Roger Michell's visually and emotionally rich adaptation of the Daphne Du Maurier thriller.
A terrific British cast lives up to its potential in this old-fashioned delight about filmmaking in the 1940s.
Steve Coogan leads a stellar core foursome in Oren Moverman's latest tense, well-made drama.
Makoto Shinkai's global box office sensation is a feast for the eyes, occasionally to a fault.
Woody Harrelson and a talented female supporting cast shine in this bluntly comedic adaptation of the Daniel Clowes graphic novel.