Charlie Kaufman’s twisty, challenging, yet rewarding film might be his most Charlie Kaufman-y work yet.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comedy
Charlie Kaufman’s twisty, challenging, yet rewarding film might be his most Charlie Kaufman-y work yet.
Alex Winter and Keanu Reeves pick right back up where they left off 20 years ago — with a major assist from the next generation of Prestons and Logans.
Double Seth Rogens yield plentiful laughs, but the film’s zany premise is diluted by sentimentality and subpar plotting.
Gillian Jacobs, Jemaine Clement and an appealing cast are delightful in this sneakily smart campus comedy.
Yvan Attal excels as co-writer, director, and star of this quirky French dramedy.
An all-star vocal cast and a creative premise help this animated charmer overcome a bumpy start.
Makoto Nagahisa throws everything in his cinematic arsenal at the proverbial wall — and gets most of it to stick.
Exceedingly better than its misleading marketing campaign would lead us to believe, thanks to a zippy script that harnesses Dave Bautista's deadpan charms and a stellar child performance by Chloe Coleman.
A brilliant payoff can’t quite make up for an uneven buildup in Jon Stewart’s political satire.
Bill Nighy is his usual brilliant self in this amusing and moving modern parable about family dynamics and how to win at Scrabble.
Tsai Chin is terrific as a crabby senior citizen in this pleasantly minor crime comedy.
Steve Coogan and Rob Brydon return for another hilarious — and allegedly final — adventure.
The new animated Scooby-Doo adventures is a goofy and charming distraction.
Absurdist filmmaker Quentin Dupieux keeps his weird streak intact with a classic tale of a man and his possessed jacket.
This charming, keenly observed French comedy is about two lonely people who might be the cure for one another’s melancholy — if only they would meet.
This comedy about an insecure gay man dating a lonely straight woman maintains its clever, entertaining tone to the end and doesn’t let its provocative sexual politics spoil the fun.
The heavy-handed, brightly-colored sequel is full of ebullient nonsense, but nevertheless has a positive message at its core.
The Oscar-nominated Polish dramedy is a witty, moving exploration of faith that challenges and inspires viewers rather than panders to them.
The charming indie comedy offers refreshingly straightforward depictions of abortion, gay parenting, and postpartum depression.
