Quick takes on this week’s new arthouse releases.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comedy
Quick takes on this week’s new arthouse releases.
Julio Torres’ feature directorial debut is an imaginative yet stressful experience.
Ethan Coen doubles down on his quirks in this hilarious yet surprisingly sweet lesbian road-trip comedy.
François Ozon’s playful comedy/thriller is simultaneously a throwback and decidedly modern.
Cord Jefferson’s satire has plenty of bite, but also an unexpectedly warm heart.
More like “Awkwardman and the Lost Opportunity.”
This Roald Dahl prequel delivers whimsy and imagination but little heart or purpose.
Yorgos Lanthimos channels Jean-Pierre Jeunet in this wild and wonderful societal critique.
Let weird Joaquin cook!
Emerald Fennell’s ambitious follow-up to “Promising Young Woman” is a sinister comic marvel.
James and Edwin discuss Nicolas Cage’s new dark comedy.
Alexander Payne reteams with Paul Giamatti for what could be the director’s best film yet.
The usually reliable Taika Waititi fails to score with this fact-based sports comedy.
Nia DaCosta’s convergence of Carol Danvers, Monica Rambeau, and Kamala Khan ably synthesizes their narrative strands with plentiful laughs and Marvel’s typical top-notch action.
Craig Gillespie’s wildly entertaining dramatization of the GameStop stock saga is one of the year’s best films.
John Carney adds to his already rich oeuvre of feel-good films about the healing power of music.
Wes Anderson returns to the rich Roald Dahl well with charming adaptations of four short stories.
