The Asheville Movie Guys discuss Ron Howard’s adaptation of J.D. Vance’s best-selling memoir.
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All in Drama
The Asheville Movie Guys discuss Ron Howard’s adaptation of J.D. Vance’s best-selling memoir.
The poignant emotions of this chamber drama will be recognizable to any adult child coming to understand the full humanity of his or her own mother.
This gentle, gritty Italian comedy about three pensioners turns on the tension between “the grass is always greener” and “home sweet home.”
Ben Wheatley’s colorful take on Daphne Du Maurier’s gothic novel improves on Alfred Hitchcock’s vision.
Featuring a peak “late career” Bill Murray performance, Sofia Coppola’s new comedy may be her best film yet.
This timeless, beautifully made film, adapted from a Jack London novel, prioritizes its Big Ideas over its romantic story line.
The A-list cast imbues the “boys” with humanity and depth, keeping the over-the-top drama from spinning off into eye-rolling territory.
Despite strong performances from Carrie Coon and Jude Law, Sean Durkin’s ‘80s-set drama offers minimal substance.
John Leguizamo directs and stars in this satisfying high school sports movie translated into chess idioms.
Susan Sarandon and an A-list cast give this otherwise unsurprising family drama of terminal illness a credible sympathetic power.
Antonio Campos’ star-studded period drama is a near complete failure.
Charlie Kaufman’s twisty, challenging, yet rewarding film might be his most Charlie Kaufman-y work yet.
This art world thriller is like a cross between “The Talented Mr. Ripley” and one of the Coen Brothers’ darker movies. And it’s got Mick Jagger in a dramatic role.
Ethan Hawke stars in this improbably lifeless biopic of the esteemed inventor.
This Jamie Fox action flick is like watching someone else play a videogame — you might follow the action, but you’re not involved.
This Norwegian film is like reading a great novel that unfolds gradually and offers poignant imagery and sharply drawn characters.
Atom Egoyan returns to form, thanks to confident direction, twisty storytelling, and a commanding lead performance by David Thewlis.
Makoto Nagahisa throws everything in his cinematic arsenal at the proverbial wall — and gets most of it to stick.
Kelly Reichardt returns to form with this moving, poetic period piece.