Like a shark, this well-made thriller does best when in motion.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Thriller
The Asheville Movie Guys have professional differences when it comes to Steve McQueen’s female-led heist film.
Luca Guadagnino’s re-whatevering of the Argento cult classic is a spectacular failure on nearly every conceivable front.
Ike Barinholtz takes a plausible, Purge-like premise of governmental overreach and filters it through unappealing, ultimately toothless means.
The Asheville Movie Guys offer opposing takes on Drew Goddard’s new thriller.
The violent, messy hodgepodge of influences ranging from The Purge to De Palma is meritless even as social critique.
Lizzie is not the definitive solution to the real-life 1892 axe murder mystery, but it's a intriguing effort with some fresh ideas and fine performances.
With major help from Anna Kendrick, Blake Lively and screenwriter Jessica Sharzer, Paul Feig directs his first quality film since Bridesmaids.
A blood-drenched, revenge-seeking Nicolas Cage has its charms, but Mandy is otherwise a good example of how not to make an ‘80s homage.
John Chu and a lack of the supernatural ensure a better screen-based experience than Unfriended, but limitations remain rampant.
The dramatization of Mossad’s operation to bring Adolph Eichmann to justice is a tame addition to the Nazi-hunting subgenre.
By focusing on Sicario’s action-oriented elements and hardened characters, its entertaining sequel plays like a tenderloin slice of the initial chapter.
The Asheville Movie Guys discuss whether Ari Aster’s acclaimed horror debut is the real deal or another false genre prophet.
Leigh Whannell skillfully builds on his horror background in this inventive, genre-embracing techno-thriller.
A look back at last weekend's new releases, which may prove to be the overall worst batch of 2018.
The Asheville Movie Guys switch to sign language and discuss Emily Blunt and John Krasinski in the latter's new thriller.
The Asheville Movie Guys take to the halls of a shady mental institution with Claire Foy in Steven Soderbergh's iPhone-shot thriller.
The Asheville Movie Guys dust off their Russian accents and play spy games with Jennifer Lawrence and a star-studded supporting cast.
Diane Kruger justifies her Cannes Best Actress win in a performance that takes her across a trio of genres.
The curiosity of Clint Eastwood using real-life heroes to reenact their brave exploits makes for a generally compelling view, but is let down by a script that asks too much from its amateur performers.
