Prepare yourself for a freaky, atmospheric story with plenty of quality jump scares.
Your guide to Asheville's vibrant and diverse movie offerings.
Prepare yourself for a freaky, atmospheric story with plenty of quality jump scares.
Christian Petzold (Phoenix) returns with another rich drama that simultaneously speaks to the past and present.
A young Jewish woman in Mexico City defies her family by beginning a romance with a non-Jewish man.
In near perfect tandem with a comedically committed Matthew McConaughey, Harmony Korine rebounds spectacularly from the ineptitude of Spring Breakers.
Alan Arkin’s character best sums up Tim Burton’s latest film: “Wow, that was a disaster!”
Is there a moral justification for making a film that recounts a terrorist assault in bloody detail?
The international horror anthology is a decidedly mixed bag with only a few worthwhile entries.
Michael Winterbottom further diversifies his directorial portfolio with this finely-crafted, India-set thriller.
With a former “Late Show” writer serving as our guide, the lost world of industrial musicals gets the documentary treatment.
Halldóra Geirharðsdóttir excels in dual roles in this quirky Icelandic eco-thriller.
The combination of Hal Linden and creative animation elevates this movie above its predicable screenplay.
Claus Räfle’s drama blurs narrative and documentary lines to creatively tell a lesser-known aspect of the Holocaust.
The Asheville Movie Guys have a spoilerific discussion of Jordan Peele’s new horror head trip.
Sebastián Lelio’s faithful English-language remake of his 2013 breakthrough Gloria improves on the original.
The tension quickly dials up and remains high to the end in this latest family-focused horror film from Jordan Peele (Get Out).
Bruno Ganz plays Sigmund Freud in the opener for the 2019 Asheville Jewish Film Festival.
The director-less animated adventure is progressive, entertaining, and surprisingly dark.
Young people with cystic fibrosis deserve a better movie love story. And a better hospital.
Lurking within the mess of Rupert Wyatt’s follow-up to The Gambler is an exciting sci-fi short film.