Craig Gillespie’s wildly entertaining dramatization of the GameStop stock saga is one of the year’s best films.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Craig Gillespie’s wildly entertaining dramatization of the GameStop stock saga is one of the year’s best films.
John Carney adds to his already rich oeuvre of feel-good films about the healing power of music.
Gareth Edwards’ sci-fi epic lacks the content to match its technical elements.
Wes Anderson returns to the rich Roald Dahl well with charming adaptations of four short stories.
Sébastien Marnier’s slow-burn thriller rewards viewers’ patience.
Neill Blomkamp returns to form in this thoroughly entertaining (and surprisingly moving) fact-based auto racing flick.
Franz Rogowski, Adèle Exarchopoulos, and Ben Whishaw collide to memorable ends in Ira Sachs’ bisexual romance.
Latino representation in superhero films receives a boost with this decent origin story.
The usually reliable Ben Wheatley’s toothless sequel eschews the dumb fun of its predecessor.
Commendable atmosphere and creature design can’t save a horrendous screenplay.
The Australian export’s creative twists on the spiritual world are undermined by sluggish storytelling.
Christopher Nolan’s biopic expertly marries dialogue-driven action and his trademark epic spectacle.
Sherry Cola establishes herself as a comedic force in this hilarious road trip adventure.
Christopher McQuarrie and Tom Cruise continue to suck the joy out of this long-running series.
Patrick Wilson’s directorial debut is a bizarre vanity project that taints the horror series’ formerly good name.
