Ti West’s laborious trilogy sputters out with this would-be thriller.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Ti West’s laborious trilogy sputters out with this would-be thriller.
Yorgos Lanthimos returns to his twisted satiric ways with this darkly comedic triptych.
The first of Kevin Costner’s four-part series plays like a corny but entertaining TV movie.
This series prequel features similar traits that plagued and uplifted its two predecessors.
Playwright Annie Baker’s first film is well-made, pleasant…and kind of pointless.
Joshua John Miller’s uneven film is essentially the “Scream” of exorcism movies.
Writer/director Jeff Nichols maintains his flawless track record with this emotionally rich, fact-based tale of 1960s biker life.
The “Saint Frances” team returns with another hilarious yet emotionally rich film.
Much like her talented father 25 years ago, writer/director Ishana Night Shyamalan is a talent to watch.
June Squibb and Richard Roundtree aren’t the heroes we deserve, but they’re the ones we need
Daina Oniunas-Pusic’s imaginative feature directorial debut is also a bit one-note.
Ally Pankiw’s film is a messy jumble of genres and failed attempts at humor.
The team of Lena Dunham and Stephen Fry proves ill-suited for this Holocaust drama.
Richard Linklater’s latest fact-based winner makes the most of star Glen Powell’s charms.
Filmed in Hendersonville, this lousy, star-studded comedy’s lone appeal is the local scenery.
Ryusuke Hamaguchi’s follow-up to “Drive My Car” is another soulful stunner.
Pamela Adlon’s directorial debut serves of nearly non-stop laughs and Intelligent commentary on adult friendships, modern motherhood, and other mature matters.
Director Wes Ball improbably delivers the series’ best installment since 2011.
