Steven Soderbergh’s high-concept horror experiment is a rare misfire from the legendary filmmaker.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Steven Soderbergh’s high-concept horror experiment is a rare misfire from the legendary filmmaker.
Leigh Whannell’s latest Universal Monsters reboot starts strong, then plummets in spectacular fashion.
The rare action sequel that’s as good as its predecessor.
Gia Coppola’s blunt look at a toxic industry flirts with greatness but never hits its mark.
This biopic of Olympic boxer Claressa Shields is one giant cliché.
Depicting pop star Robbie Williams as a monkey works wonders in this creative biopic.
Nicole Kidman’s talents are wasted on this inept erotic thriller.
Robert Eggers’ remake proves surprisingly safe and overly familiar.
James Mangold’s embarrassing Bob Dylan biopic feels like an SNL sketch that never ends.
Luca Guadagnino’s second great film of 2024 sizzles thanks to Daniel Craig’s boldest performance yet.
Ralph Fiennes elevates this otherwise languid “Odyssey” adaptation.
Jesse Eisenberg excels in front of and behind the camera in this emotionally rich dramedy.
Well, at least it’s better than the stage musical.
Hugh Grant has a ball in this tense thriller that gradually loses steam.
Like his other films, Sean Baker’s Palme d’Or winner lacks focus behind and in front of the camera.
