Starring a textbook sharp Jesse Eisenberg, the well-made dark comedy is a difficult film to recommend.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Starring a textbook sharp Jesse Eisenberg, the well-made dark comedy is a difficult film to recommend.
Jessie Buckley anchors this honest look at the quest for musical stardom.
Poetic moments define Joe Talbot’s moving portrait of gentrification’s victims in the Bay Area.
Just a few weeks after the pleasures of Long Shot comes another smart adult comedy, showcasing Emma Thompson and Mindy Kaling.
Another fine performance from Blythe Danner buoys this unchallenging movie about a dedicated survivalist (John Lithgow) looking for companionship.
Dreadfully slow and plain old dreadful, the ‘80-set British drama’s unlikable characters and simple story are barely worthy of a subplot in a larger, better film.
Olivier Assayas’ returns to meditations on art, commerce, and flawed celebrities with a look at the Parisian publishing world.
The Asheville Movie Guys crash-land in Kansas with an evil Superman. What could possibly go wrong?
Compelling performances by Judi Dench and Sophie Cookson are undermined by sluggish pacing and flat direction in this fact-based spy drama.
The pleasant period dramedy from the Downton Abbey team has a sensibility closer to a classy TV movie than to a more nuanced indie drama.
A mesmerizing fever dream set in Budapest, Hungary, just before World War I.
In this bleak drama, Tessa Thompson and Lily James deliver powerful performances despite amateurish, anonymous filmmaking.
Claire Denis’ dull sci-fi drama squanders sharp visuals and strong performances.
A strong lead turn by Mary Kay Place and near-universal relatability can’t save this plodding drama.
Emilio Estevez’s Cincinnati-set wake-up call about the relevancy of public libraries is a bit too folksy and loose for its own good.
Keira Knightley, Jason Clarke, and Alexander Skarsgård bolster this compelling post-WWII drama.
Prepare yourself for a freaky, atmospheric story with plenty of quality jump scares.
Christian Petzold (Phoenix) returns with another rich drama that simultaneously speaks to the past and present.
A young Jewish woman in Mexico City defies her family by beginning a romance with a non-Jewish man.
Is there a moral justification for making a film that recounts a terrorist assault in bloody detail?
