Kitty Green’s dull Weinstein-inspired drama is a frustrating exploration of a hyper-important topic.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Kitty Green’s dull Weinstein-inspired drama is a frustrating exploration of a hyper-important topic.
As Valentine’s releases go, this is certainly a step up — an adult drama that treats both its lovers and its audience with respect and sympathy.
The English-language remake of "Force Majeure" improves on the Swedish original in every conceivable regard.
France’s questionable Oscar entry-turned-nominee is a half-baked “Training Day” retread.
From “A Sister” to “Brotherhood” and a glimpse through “The Neighbors’ Window,” this shorts program at the Grail Moviehouse has a lot to recommend it.
A series of Oscar-caliber performances in supporting roles boost this tear-jerker about the effort to get a Medal of Honor for an airman who died heroically in Vietnam.
With help from Tim Roth and Clive Owen, François Girard (The Red Violin) builds on his reputation as a maestro of musical mysteries.
The Asheville Movie Guys slog their way through Terrence Malick’s fact-based endurance test.
The star-studded dramatization of Roger Ailes’ downfall merely leaves a shallow mark.
The Asheville Movie Guys debate Greta Gerwig’s adaptation of the literary classic.
The Safdie brothers guide Adam Sandler to career-best work in this magnificent, tense thriller.
Clint Eastwood’s biopic of the Atlanta Olympic bombing hero-turned-villain is well-made and acted, but casts some troubling shadows.
Shia LaBeouf exorcises his demons by playing his father in this extraordinary cinematic experiment.
Todd Haynes’ heavy-handed environmental drama does wrong by its inspirational real-life hero.
Scarlett Johansson, Adam Driver and writer/director Noah Baumbach are all in top form in this divorce dramedy.
With his frenetic, emotionally devastating coming-of-age drama, Trey Edward Shults proves that the third time is indeed the charm.
Tom Hanks’ Fred Rogers erodes viewer cynicism in this very special fact-based film.
Go into Bong Joon-ho’s rightly-praised new film blind as possible and reap its plentiful rewards.
This movie about a con man is less about fooling the audience than it is about belief in a world where good and evil are clearly delineated.
In Pedro Almodovar’s most autobiographical film, a melancholy present day is tempered by vibrant boyhood memories.