Reviews of new films from Stephen Daldry, Chase Palmer, and Neill Blomkamp.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Reviews of new films from Stephen Daldry, Chase Palmer, and Neill Blomkamp.
This extremely safe Aretha Franklin biopic honors the singer’s music, but not the woman herself.
That rascal David Lowery has finally made a great film.
Tom McCarthy’s new Matt Damon drama starts off promisingly. Then the plot kicks in.
Reviews of Pig, Space Jam: A New Legacy, Escape Room: Tournament of Champions, Joe Bell, and Val.
Janicza Bravo’s Twitter thread adaptation is a refreshing amalgam of A24 cautionary tales.
Billy Crystal and Tiffany Haddish display top-notch chemistry in this charming memory-loss dramedy.
Guy Ritchie and Jason Statham reunite for this grim yet thoroughly entertaining thriller.
Roy Andersson doles out 33 slice-of-life vignettes that carry significant individual and cumulative power.
There are no gimmicks or twists to be found here — just a straightforward terminal illness drama that allows genuine emotions to shine through in every interaction.
This Oscar nominee skewers everyone from celebrity artists to refugee advocates in its tale of a Syrian man who is turned into an art object.
A college student’s numerous dramas conveniently converge in this brief but punishing dark comedy.
This fact-based U.K. twist on “Bridge of Spies” finds Benedict Cumberbatch in his best role since “The Imitation Game.”
Nominated for six Oscars, this Anthony Hopkins vehicle puts you inside the experience of a older man with growing dementia.
The Russo brothers reunite with Tom Holland in this Frankenstein’s monster of well-worn genres with little new to say about any of them.
Shatara Michelle Ford’s provocative drama exposes the inadequate systems in place that address sexual assault.
Nicholas Jarecki takes a “Crash”-like approach to the opioid epidemic in this hyperbolic drama.
With major assists from Margaret Qualley and Sigourney Weaver, Philippe Falardeau ends the cold streak of Salinger-centric films.
Simon Bird’s terrific graphic novel adaptation feels like a British translation of a Daniel Clowes comic.
The film is based on a terrific Rolling Stone article. Seek out that story, but skip the clumsily fictionalized movie.
