Michael Winterbottom further diversifies his directorial portfolio with this finely-crafted, India-set thriller.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Thriller
Michael Winterbottom further diversifies his directorial portfolio with this finely-crafted, India-set thriller.
Lurking within the mess of Rupert Wyatt’s follow-up to The Gambler is an exciting sci-fi short film.
Gaspar Noé’s latest risk-taker is a wonder to behold, though a bit patience-testing and possibly pointless.
Isabelle Huppert torments Chloë Grace Moretz in Neil Jordan’s surprisingly campy thriller.
Mads Mikkelsen utilizes his powerful presence in Joe Penna’s engrossing one-man survival thriller.
The sequel ably changes its genre gears with only slightly diminished returns.
Steven Knight’s new thriller is so bizarre and so far removed from logic that it demands to be seen.
Though typically unbreakable in their opinions, the Asheville Movie Guys split on M. Night Shyamalan’s storyline-blending thriller.
Keanu Reeves is painfully awkward as a scientist who bends the laws of nature to save his family.
The Asheville Movie Guys have professional differences when it comes to Steve McQueen’s female-led heist film.
Luca Guadagnino’s re-whatevering of the Argento cult classic is a spectacular failure on nearly every conceivable front.
Ike Barinholtz takes a plausible, Purge-like premise of governmental overreach and filters it through unappealing, ultimately toothless means.
The Asheville Movie Guys offer opposing takes on Drew Goddard’s new thriller.
The violent, messy hodgepodge of influences ranging from The Purge to De Palma is meritless even as social critique.
Lizzie is not the definitive solution to the real-life 1892 axe murder mystery, but it's a intriguing effort with some fresh ideas and fine performances.
With major help from Anna Kendrick, Blake Lively and screenwriter Jessica Sharzer, Paul Feig directs his first quality film since Bridesmaids.
A blood-drenched, revenge-seeking Nicolas Cage has its charms, but Mandy is otherwise a good example of how not to make an ‘80s homage.
John Chu and a lack of the supernatural ensure a better screen-based experience than Unfriended, but limitations remain rampant.
