Judy Blume’s seminal 1970 novel receives a thoughtful adaptation from writer/director Kelly Freeman Craig.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Judy Blume’s seminal 1970 novel receives a thoughtful adaptation from writer/director Kelly Freeman Craig.
Nida Manzoor’s feature directorial debut is a quirky delight — until it enters cuckoopants territory.
Guy Ritchie isn’t the best fit for this respectable Afghanistan War thriller.
Lee Cronin’s blood-coated, thoroughly entertaining sequel honors Sam Raimi and Bruce Campbell.
Jalmari Helander’s hyper-violent revenge film elicits immense joy via killing Nazis.
Daniel Goldhaber’s activism docudrama does what it can with inherently limited material.
James and Edwin discuss Ari Aster’s sprawling new film.
Despite Toni Collette’s physical comedy skills, this action/comedy is a tonal mess.
Nicolas Cage’s Dracula lives up to its zany potential in this unapologetically bloody and violent action/comedy.
Haven’t audience-insulting, by-the-book sports biopics like this been outlawed by now?
Rather than parody Bob Ross, writer/director Brit McAdams has something more ambitious in mind, and his distinct, heartfelt take on the romantic comedy is a treat to experience.
Ben Affleck’s entertaining dramatization of Nike courting Michael Jordan is catnip for basketball fans.
The animated spectacle is a loving homage to the video game and little else.
Quentin Dupieux latest oddball effort lives and dies by its randomness.
Humorous dialogue and thrilling action combine in a style reminiscent of “Raiders of the Lost Ark” crossed with “The Princess Bride.”
Zach Braff’s dramedy is the best narrative examination of the opioid impact thus far.
Keanu Reeves solidifies his gifted assassin’s status as a truly iconic action hero.
All the new releases I saw in 2022, ranked from worst to best. Part Four covers films 1-50.
