This Roald Dahl prequel delivers whimsy and imagination but little heart or purpose.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
This Roald Dahl prequel delivers whimsy and imagination but little heart or purpose.
Yorgos Lanthimos channels Jean-Pierre Jeunet in this wild and wonderful societal critique.
Jim shows Edwin the, uh, ropes in this discussion of Sean Durkin’s Von Erich film.
Bradley Cooper’s Leonard Bernstein is a scatterbrained, occasionally brilliant effort.
Quick takes on new films from Hayao Miyazaki, Hirokazu Kore-eda, and Aki Kaurismäki, plus the latest Godzilla movie.
Let weird Joaquin cook!
Emerald Fennell’s ambitious follow-up to “Promising Young Woman” is a sinister comic marvel.
James and Edwin discuss Nicolas Cage’s new dark comedy.
This prequel is the best film in the series — but that’s still not saying much.
Alexander Payne reteams with Paul Giamatti for what could be the director’s best film yet.
The usually reliable Taika Waititi fails to score with this fact-based sports comedy.
Nia DaCosta’s convergence of Carol Danvers, Monica Rambeau, and Kamala Khan ably synthesizes their narrative strands with plentiful laughs and Marvel’s typical top-notch action.
David Fincher re-teams with Se7en screenwriter Andrew Kevin Walker to similarly memorable ends.
Yet another Sofia Coppola film that keeps emotions at a distance and only resonates on aesthetic levels.
Pedestrian filmmaking hampers this sharply written and acted Palme d’Or winner.
Martin Scorsese’s enthralling fact-based drama adds another masterpiece to his already legendary resumé.
Craig Gillespie’s wildly entertaining dramatization of the GameStop stock saga is one of the year’s best films.
John Carney adds to his already rich oeuvre of feel-good films about the healing power of music.
