A young Jewish woman in Mexico City defies her family by beginning a romance with a non-Jewish man.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Foreign film
A young Jewish woman in Mexico City defies her family by beginning a romance with a non-Jewish man.
Halldóra Geirharðsdóttir excels in dual roles in this quirky Icelandic eco-thriller.
Gaspar Noé’s latest risk-taker is a wonder to behold, though a bit patience-testing and possibly pointless.
One man’s ambition sets up a fascinating clash between his indigenous Wayuu clan’s traditional values and encroaching ideals propelled by greed and violence.
The surprise double Oscar nominee is a rewarding but trying three-hour experience.
An all-time great child performance and sustained hope over a lengthy runtime makes Nadine Labaki’s latest a worthy Oscar nominee.
The triple Oscar nominee is indeed lyrical and captivating, but it’s a far different experience than its Academy Award competitor Roma, another memory movie shot in black and white.
Hirokazu Kore-eda’s Palm d’Or-winning drama further cements his status as the Japanese Mike Leigh.
Runner-up as best film of the year at this week’s Los Angeles Film Critics Association awards, Burning is long, leisurely and worth the investment of time.
The Swedish fairy tale often feels like a singular creation, but can’t quite sustain its initial magic.
The year of films about real-life art heists rolls on with this seriocomic look at the 1985 looting of Mexico City’s National Anthropology Museum.
Michael Haneke has even less than usual to say about the human condition in his latest downer.
The Asheville Movie Guys head down to Chile to see if the Best Foreign Language Oscar winner is worthy of the prize.
The Lebanese Oscar-nominee starts off as a promising culture clash before succumbing to preachiness.
Diane Kruger justifies her Cannes Best Actress win in a performance that takes her across a trio of genres.
Norwegian filmmaker Joachim Trier makes an entertaining detour with this psychological thriller of a college student with unusual powers.
Julia Ducournau's film is the rare horror debut that places production value over easy profits.
Ricardo Darín and Javier Cámara are superb as old friends enjoying one last visit together in this Goya-winning drama.
François Ozon’s riff on Ernst Lubitsch’s Broken Lullaby is the kind of emotionally-rich and visually confident work rarely seen in modern movies.
The Polish horror/comedy/musical fails to master nor marry its discordant parts.
