The Asheville Movie Guys discuss the latest adaptation of the Jane Austen classic.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Literary adaptation
The Asheville Movie Guys discuss the latest adaptation of the Jane Austen classic.
Leigh Whannell’s latest winner is heavy on quality suspense and scares, but light on character development and logic.
Creepy visuals and Alice Krige’s frightening performance aren’t enough to buoy Osgood Perkins’ Grimm adaptation.
A baffling, full-stop ending mars this otherwise promising Henry James adaptation.
The shockingly dull combination of Nicolas Cage, Richard Stanley, and H.P. Lovecraft is an almost complete failure.
The Asheville Movie Guys debate Greta Gerwig’s adaptation of the literary classic.
Kristina Guckenberger (Mountain Xpress) makes her Asheville Movies debut to discuss Taika Waititi’s hilarious and moving anti-hate satire.
Every aspect of Edward Norton’s ‘50s-set noir is good enough, but mysteriously never aspires to greatness.
Director John Crowley has created a passable Reader’s Digest gloss on Donna Tartt’s great novel.
The adaptation of the beloved dog novel sidesteps potential sappiness with honest, emotional storytelling, plus characters easy to care about and difficult to leave.
The adaptation of the beloved horror books delivers surprisingly strong terror within a PG-13 framework.
Christian Petzold (Phoenix) returns with another rich drama that simultaneously speaks to the past and present.
Inheriting the teen sleuth reins from Emma Roberts, Sophia Lillis (It; “Sharp Objects”) continues to be a beacon in mediocre projects.
Barry Jenkins’ James Baldwin adaptation may very well be the only film of 2018 that can be called “beautiful.”
The Swedish fairy tale often feels like a singular creation, but can’t quite sustain its initial magic.
Paul Dano’s directorial debut starts off in extraordinary fashion before devolving into a fairly rote domestic drama.
The latest take on the Dr. Seuss classic is a colossal waste of time and talent.
The timely, well-made adaptation of the best-selling novel plays like a YA cousin of Blindspotting, down to several parallel scenes.
The convergence of beloved indie film talent yields mediocre results in this tonally odd western.
Emma Thompson delivers her best performance since 2013 in this sharp adaptation of Ian McEwan’s novel.
