Javier Bardem adds to his already impressive resumé with this witty workplace dramedy.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Javier Bardem adds to his already impressive resumé with this witty workplace dramedy.
A failure on practically every level, this purported satire might be the worst film of 2022.
George Miller, Tilda Swinton, and Idris Elba cast a marvelous spell in this visually stunning and emotionally rich fantasy.
Idris Elba tries to protect his two daughters from a bloodthirsty lion in this well-made Man vs. Nature thriller.
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
Jordan Peele’s latest winner adds a command of spectacle to his already impressive filmmaker toolbox.
Taika Waititi’s distinct blend of action and comedy works wonders in the fourth Thor film.
Pompous artistry in the movie business gets skewered in this brilliant Spanish comedy.
Baz Luhrmann’s musical biopic features a star-making performance by Austin Butler, but is bogged down by repetitious storytelling — and Tom Hanks.
Thick atmosphere and a few good jump scares can’t save this so-so horror film.
After a second trilogy of depressingly diminishing returns, it’s time for the dino series’ extinction.
David Cronenberg’s latest body horror film is merely weird for weird’s sake.
Heart-pounding action sequences battle lackluster writing and performances in this uneven legacy sequel.
The legendary pitcher gets the bio-doc treatment in this entertaining retrospective.
Big emotional highs and the magic of moviemaking combine in this lovely adventure with the Crawleys.
James and Edwin discuss Alex Garland’s trippy new horror film.
The late Roger Michell’s final narrative film is lovely, well-rounded portrait of a real-life humanist.
Céline Sciamma’s wonderfully mischievous time-travel drama is loaded with thought-provoking concepts and emotional resonance.
This messy sequel barely feels like a Sam Raimi film — until it goes full “Evil Dead 2”/”Drag Me To Hell.”
