Your guide to Asheville's vibrant and diverse movie offerings.
Pamela Adlon’s directorial debut serves of nearly non-stop laughs and Intelligent commentary on adult friendships, modern motherhood, and other mature matters.
Director Wes Ball improbably delivers the series’ best installment since 2011.
David Leitch’s action/comedy is an overstuffed but loving ode to the stunt community.
Writer/director Jane Schoenbrun seems more interested in creating a relatable, nostalgia-rich world than filling it with much in the way of substance.
Sam Taylor-Johnson’s Amy Winehouse biopic honors the late singer/songwriter’s talents and flaws.
Ethan Hawke’s disjointed Flannery O’Connor biopic is a frustrating view.
Writer/director/star Vera Drew’s trans coming-of-age story is an inspired mess.
Avoid the film’s spoiler-rich marketing if you can. Otherwise, there’s little point seeing this so-so thriller.
Quirky fun abounds in the Zellner Bros.’ Bigfoot movie, but a little goes a long way.
Alex Garland’s speculative thriller is equal parts bracing, challenging, and entertaining.
Quick takes on four recent mainstream titles.
Quick takes on this week’s new arthouse releases.
Julio Torres’ feature directorial debut is an imaginative yet stressful experience.
This satanic panic thriller takes forever to find its groove and frequently cheats on its found-footage premise.
Rose Glass takes a tremendous leap forward with help from a talented cast.
This star-studded, fact-based drama honors the tremendous good deeds of Sir Nicholas “Nicky” Winton.
A huge step back from the excellent Part One, this sloppy follow-up barely feels like a Denis Villeneuve film.
Ethan Coen doubles down on his quirks in this hilarious yet surprisingly sweet lesbian road-trip comedy.
