Well, that was a near complete waste of time.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Well, that was a near complete waste of time.
Powerful acting overcomes weak filmmaking in this fact-based drama.
Dominic Savage's trans drama is filmed with minimal visual foresight and written with even less.
Not even a pairing with a glass of quality bubbly can save this biopic from mediocrity.
Yorgos Lanthimos returns to his twisted satiric ways with this darkly comedic triptych.
Playwright Annie Baker’s first film is well-made, pleasant…and kind of pointless.
Writer/director Jeff Nichols maintains his flawless track record with this emotionally rich, fact-based tale of 1960s biker life.
The “Saint Frances” team returns with another hilarious yet emotionally rich film.
Daina Oniunas-Pusic’s imaginative feature directorial debut is also a bit one-note.
Ally Pankiw’s film is a messy jumble of genres and failed attempts at humor.
The team of Lena Dunham and Stephen Fry proves ill-suited for this Holocaust drama.
Ryusuke Hamaguchi’s follow-up to “Drive My Car” is another soulful stunner.
Writer/director Jane Schoenbrun seems more interested in creating a relatable, nostalgia-rich world than filling it with much in the way of substance.
Sam Taylor-Johnson’s Amy Winehouse biopic honors the late singer/songwriter’s talents and flaws.
Ethan Hawke’s disjointed Flannery O’Connor biopic is a frustrating view.
Alex Garland’s speculative thriller is equal parts bracing, challenging, and entertaining.
Quick takes on this week’s new arthouse releases.
Rose Glass takes a tremendous leap forward with help from a talented cast.
